POLYPHONE
The Festival of New and Emerging Musicals
Maggie-Kate Coleman, Artistic Director
April 4-8, 2023
Norton I
by Giacomo Fizzano
Co-Directed by Maggie-Kate Coleman and Kikau Alvaro
Music Directed by Tom Fosnocht
Where:
FringeArts
140 N Christopher Columbus Blvd, Philadelphia, PA 19106
Dates and Times:
Wednesday, April 5, 2023 - 8 p.m.
Friday, April 7, 2023 - 8 p.m. (Masks are required for all audience members at this performance.)
Saturday, April 8, 2023 - 11 a.m.
*Note: Ticket reservations will be held until curtain. All unclaimed tickets will be released to the waitlist at 11 a.m., and 8 p.m., accordingly.
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Please Note:
UArts students, faculty, and staff will be required to present an up-to-date UArts ID.
NORTON I
PRODUCTION TEAM
Giacomo Fizzano | Creator
Maggie-Kate Coleman | Co-Director
Kikau Alvaro | Co-Director
Bryant Yamil Gipull Garcia | Assistant Director
Tom Fosnocht | Music Director
Peter Hoefler | Assistant Music Director
Mo Yeh | Orchestrator
Jessica Beaver | Stage Manager
Cybele Moon | Costume Designer
CAST
Michael Ramalho | TRACK A: Tommy Wiseau (and Tommy as Reporter, Manager, Librarian, and Guard)
Julia Hancock | TRACK B: Ann Carswell
Dallas Jimmar | TRACK C: Joshua Norton
Valentine Giesey | TRACK D: Herman Kearny
Savannah Seong | TRACK E: Ah How
Sierra Steinberg | TRACK G: Margot St. James, Backup Girl #1
Sophie O'Hara | TRACK H: Margaret Williams, Julius Caesar, Backup Girl #2
Peter Hoefler | TRACK I: Neville Chamberlain, Barbershop
Shannon Sullivan | TRACK J: George Fitch, Preston Brooks
Bryant Yamil Gipull Garcia | TRACK K: Sam Brannan, Barbershop
Brynn Smith | TRACK L: Frederick Coombs
Hazel Foley | TRACK M: Charles Exposition, Driver, Hitler
Noah Heran | TRACK N: William Tecumseh Sherman, Charles Sumner, Barbershop
Liliana Valencia | TRACK O: Florist, Cato
Cate Goddard | TRACK Q: Cicero, Backup Girl #4
Norton I is the mostly true tale of Joshua Norton, a bankrupt venture capitalist turned self-appointed emperor of the United States, as told by cult film “superstar” Tommy Wiseau. Tommy’s love letter to the American musical follows Norton’s “reign” over mid-1800s San Francisco, a city built on impossible dreams, the now-failing promise of America and a lot of mud. With the help of Ann Carson, a plucky and ambitious young reporter, and the friendship of Ah How, a Chinese immigrant and local businesswoman, Norton rules with a benign courtesy. He soon discovers that San Francisco is not immune to tensions brought on by the Civil War, economic depression and the rapidly rising anti-Chinese sentiment. Blending Camusian absurdism and Brechtian alienation with the blunt humor of contemporary meme culture, Norton I challenges audiences to acknowledge their own complicity in today’s sociopolitical analog. As Norton tries to retain control over his city (and Tommy tries to regain control over his musical), both must confront the fact that civility alone is not enough to make the world a better place.